In addition, the festival hosted two 20 th anniversary screenings, including that of cult phenom “Session 9,” a film that recently found itself reaching a younger audience due in part to its temporary streaming availability on Netflix. Invoking both fear and terror, “Ego” is an interesting watch. María Pedraza delivers two stunning performances as Paloma, a young woman searching for love on internet dating apps during the height of the pandemic, and her doppelganger counterpart who she matches and begins a relationship with. The film offers some dismal insight into the world of organized religion, and I think horror fans will enjoy it’s unnerving qualities.Īlso among the new releases screened was Spanish filmmaker Alfonso Cortés-Cavanillas’s “Ego,” which won 3 awards at the festival including “Best Picture.” The movie takes an introspective look at society during the age of the internet, manifesting its worst qualities in a form that may seem all too familiar. He describes growing up in Italy, an overtly religious country, and how separating himself from the culture allowed him to view it differently. “So many of those notions of righteousness and what it means to be a good person are just completely out of line,” Vitaletti said. When asked what inspired the idea behind the film, Vitaletti told the audience, “The simplest answer is, I grew up Catholic,” prompting chuckles and smiles from the viewers. Vitaletti and Culkin attended the screening at the last minute, fielding audience questions and discussing the film post-viewing. Director and writer Edoardo Vitaletti succeeds in delivering an anxiety inducing, supernatural period-piece that raises questions about religion and morality. The film stars Stefanie Scott, Isabelle Fuhrman and Judith Roberts, featuring a notable and disturbing performance by Rory Culkin. Mary’s parents entrust “The Matriarch,” the terrifying head of the household, to discipline the girls with a series of cruel and punishing “corrections,” which drives the lovers to take drastic action. She and Eleanor, the home’s maid, develop a relationship, much to the dismay of Mary’s family. The film, recently acquired by AMC-owned streaming service Shudder, tells the story of Mary, a young woman living on Long Island in 1843 with her strictly religious family. The screenings were held at 3 Williamsburg theatres - Nitehawk Cinema, Williamsburg Cinema, and Stuart Cinema - and featured a cavalcade of newly released movies, short films, and a couple of cult classics.Īmong these new releases was “The Last Thing Mary Saw,” which screened at Nitehawk Cinema. The festival, which began in 2016, returned from last year’s online format, boasting nearly sold-out attendance at many of its 20 screenings throughout the week. The Brooklyn Horror Film Festival returned to Williamsburg in late October, showcasing a diverse array of works from independent filmmakers and big budget studios, alike. Come autumn, there is no shortage of spooky activities in and around New York City, but film enthusiasts and horror aficionados will surely want to add this to their annual to-do list.
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